Andrew Smetek

Andrew Smetek is credited in film sound departments, with roles in two feature productions. In 2019, Smetek is listed as the Sound Designer for The Man Who Killed Hitler and Then the Bigfoot. The position involves shaping the auditory landscape of a film, selecting and layering sound effects to create specific moods or realism within the narrative. Smetek’s work on the film reflects a specialized contribution to the post-production process, where sound design plays a key role in establishing the film’s audio identity.

Earlier, Smetek served as the Sound Re-Recording Mixer for Jug Face, released in 2013. This role centers on balancing and finalizing the audio elements—dialogue, effects, and music—into a cohesive soundtrack for theatrical presentation. The position requires technical precis…