Biography
Masaru Mori is credited in film production roles across two Japanese productions. In 1966, Mori worked as a colorist on Tokyo Drifter, contributing to the film’s visual presentation during a period when color cinematography was becoming more prominent in Japanese cinema. The film is recognized for its stylized approach to color and composition, reflecting broader trends in 1960s genre filmmaking.
In 1984, Mori served as director of photography for Sukeban Kabushiki-gaisha: Yacchae! Ojôsan, overseeing the film’s cinematography. The title is part of a series associated with the sukeban genre, which typically features young female delinquents and blends drama with stylized visuals. Mori’s role involved managing lighting, framing, and camera work to support the film’s narrative and aesthetic.…
