Phil Cory

Phil Cory is credited in the special effects department for three films spanning the mid-1980s to early 1990s. Their work on Cannonball Run II involved coordinating visual effects elements for the production. In 1990, Cory served as a Special Effects Supervisor for Misery, overseeing the technical execution of effects sequences in the film. The following year, Cory held the role of Special Effects Coordinator for Stop! Or My Mom Will Shoot, assisting in the planning and implementation of effects work for the production. These credits indicate involvement in practical and mechanical effects processes common to action and comedy films of that period.