Biography
Thom Enriquez worked in the film industry as a story artist and head of story, contributing to animated features. In 1989, Enriquez served as a storyboard artist on The Little Mermaid, helping shape early visual sequences for the film. The role involved translating narrative concepts into sequential visual panels, a process central to pre-production planning in animation.
Enriquez later held the position of Head of Story on Dinosaur in 2000, overseeing the department responsible for structuring the film’s narrative flow before animation began. This involved coordinating storyboards, pacing, and continuity to ensure clarity in the film’s storytelling. In 2003, Enriquez contributed to the story development of Brother Bear, working within the team that refined the film’s narrative framework.…
