Vladimir Kerkez

Vladimir Kerkez works in film sound design, specializing in foley and related audio work. Their involvement in Sorry to Bother You (2018) as a Foley Recordist reflects a role focused on creating and enhancing practical sound effects that match on-screen actions, contributing to the film’s immersive audio environment. This credit demonstrates their engagement with post-production sound craft, where recorded sounds are layered to synchronize with visuals and dialogue.

Kerkez’s later credit as a Foley Artist on Faces of Death (2026) further establishes their specialization in foley, a department essential to the tactile realism of a film. Foley artists reproduce incidental sounds such as footsteps, rustling fabric, or object handling, ensuring audio continuity that supports narrative immersi…